Issue № 102, 2026 р.
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HISTORY
Yevgen LEMBERG
KUFIC COINS OF THE 8TH – EARLY 9TH CENTURY FROM THE VERKHNII SALTIV CATACOMB BURIAL GROUND
Vladyslav BERKOVSKI
THEATRE AT THE BORDER: TOWARDS THE HISTORY OF THEATRE ACTIVITY IN SLAVUTA (1920S)
Taras VERBA
THE VOLYN REGIONAL MUSEUM IN THE STUDY OF THE ARCHAEOLOGICAL HERITAGE (2016–2025)
Olha KAKOVKINA
ISSUES RELATED TO THE PROTECTION AND PRESERVATION OF ANCIENT EGYPTIAN HERITAGE AS DEPICTED IN KARL BAEDEKER’S TRAVEL GUIDES (1878–1914)
Sophia KARAGEZOVA
PRIGORYN REPUBLIC OF 1918–1919 IN THE CONTEXT OF THE UKRAINIAN REVOLUTION
Vadym KOROBKA, Volodymyr ROMANTSOV, Svitlana NOVIKOVA
EVERYDAY LIFE OF ZHDANOV (MARIUPOL) RESIDENTS AS DESCRIBED IN THE “PERETS” MAGAZINE (1953–1964)
Zinaida SVYASCHENKO, Olena SKRYPNYK
MODERNIZATION OF SOUTHEASTERN ANATOLIA: THE GAP PROJECT AS A SOCIO-ECONOMIC DIMENSION OF TURKEY'S EU INTEGRATION
Volodymyr FESAN
DIGITAL PLATFORMS AS A FACTOR IN THE FORMATION OF HISTORICAL KNOWLEDGE AND NATIONAL MEMORY UNDER RUSSIAN INFORMATION AGGRESSION
Anastasiia CHUMAKOVSKA
IVAN DZIUBA IN THE ÉMIGRÉ DISCOURSE OF ROMAN RAKHMANNY’S ESSAYS
LINGUISTICS. LITERATURE STUDIES
Lidia ACHKAN, Viktoriia KHOMYCH
EMOTIVE AND ODORATIVE EPITHETS AS MEANS OF ARTISTIC REPRESENTATION OF REALITY IN VASYL SHKLYAR'S NOVEL “LONE WOLF”
Nataliia BANIAS, Kateryna LIZAK, Anastasia ZEYKAN
BEYOND ANTHROPOCENTRISM: DOGS AS CULTURAL AND ETHICAL SUCCESSORS AND JENKINS AS A POSTHUMAN MORAL CENTRE IN CLIFFORD D. SIMAK’S CITY
Nataliia BURKA
FEATURES OF THE INTERACTION OF VERBAL MEANS OF MANIPULATION IN ADOLESCENT COMMUNICATION
Daryna BUTS
URBAN SPACE AS A CARRIER OF NATIONAL MEMORY: STREET NAMES IN CITIES OF TURKEY
Dmytro VYSHYNSKYI, Kateryna YUHAI
TYPOLOGICAL ASPECTS OF INTERNET SLANG IN THE KOREAN AND UKRAINIAN LANGUAGES
Olena GAYEVSKA
THE DIGITAL ECOSYSTEM OF THE JAPANESE CULTURE CLUB: MEMORY EFFECTS AND INTERDISCIPLINERARY DYNAMICS
Inna HORYLENKO
THE HYPNOTIC FUNCTION: LINGUISTIC MEANS OF INFLUENCE AND THEIR ROLE IN COMMUNICATION
Artur GUDMANIAN, Roman KHMELNYTSKYI
CONSTRUAL IN TRANSLATION STUDIES: RENDERING VOCABULARY THAT VERBALIZES EMOTION CONCEPT SURPRISE IN FRANK HERBERT’S ‘GOD EMPEROR OF DUNE’
Nina DANYLYUK, Oksana ROGACH
OBSERVING COPYRIGHT IN THE FIELD OF PHILOLOGY AS THE BASIS OF ACADEMIC INTEGRITY
Hanna KOLOSOVA, Anastasiia MIALO
SPECIFIC FEATURES OF THE TRANSLATION OF ONOMASTIC UNITS IN SCIENCE FICTION (BASED ON THE ORIGINAL TEXT AND THE UKRAINIAN TRANSLATION OF ARTHUR CHARLES CLARKE'S “SPACE ODYSSEY” SERIES)
Kostiantyn KOMISAROV, Yulia BORYSHPOLETS
THE EVOLUTION AND COGNITIVE-SEMANTIC TRANSFORMATION OF THE JAPANESE PASSIVE IN DIACHRONIC AND PERCEPTIVE DIMENSIONS
Diana KULBIDA
PHONETIC AND LEXICO-SEMANTIC FEATURES OF PUERTO RICAN SPANISH IN MODERN REGGAETON
Alla LUPOL, Anzhelika YANOVETS, Nadiia STRELOK
REPRODUCING THE NATIONAL AND CULTURAL SPECIFICITY OF PHRASEOLOGICAL UNITS IN ENGLISH-TO-UKRAINIAN TRANSLATION: A COGNITIVE-SEMIOTIC APPROACH
Viktorіia MAKSYMETS, Alisa KRAVCHENKO
THEMATIC AND IMAGISTIC SPECIFICITY OF SAN MAO’S SHORT STORY “MY GREAT MOTHER-IN-LAW”
Nazarii NAKONECHNYI
MILITARY VOCABULARY IN TERMINOLOGICAL DICTIONARIES OF THE UKRAINIAN AND JAPANESE LANGUAGES OF 1928: A COMPARATIVE ANALYSIS
Larysa OLEKSYSHYNA, Sophia OLEKSANDRENKO
THE THEMATIC ASPECT OF GERMAN NEOLOGISMS OF 2020–2025
Yuliia SAVINA, Ilona PRYKHODKO, Zoia VORONOVA
THE TRANSFORMATION OF THE ENGLISH LANGUAGE UNDER THE INFLUENCE OF FOREIGN LOANWORDS IN THE CONTEXT OF HISTORICAL AND CONTEMPORARY LINGUISTIC PROCESSES
Olga SOLOVIOVA
POLAR ASYMMETRY OF EVALUATIVITY IN OLD ENGLISH
Olesia STOIKA, Bohdana SAVKA
COOPERATION WITHOUT A PARTNER: THE MIGRATION OF PRAGMATIC LABOUR IN USER–AI DISCOURSE
Olesya CHERKHAVA, Nataliia BAZYLIAK, Viktoriia BAZYLIAK
INTERNET SLANG AS A MECHANISM OF DIGITAL CODIFICATION: FROM MARKED VOCABULARY TO DICTIONARY ATTESTATION
MUSIC ART
Nataliia ASHYKHMINA, Viacheslav DASHKOVSKYI
MUSIC IN THE AGE OF DIGITALIZATION: THE TRANSFORMATION OF INSTRUMENTAL, VOCAL, AND CHORAL PERFORMANCE
Jana BOBROWА
GENRE-STYLE SPECIFICITY OF VOCAL WORKS OF KHARKIV COMPOSERS: V. ZOLOTUKHIN, M. KARMINSKY, V. PТUSHKIN, M. STETSYUN
Larisa DERKACH, Svitlana MELNYK
UKRAINIAN POETRY IN THE EUROPEAN MUSICAL SPACE: THE ARTISTIC CONCEPT OF THE PROJECT “RESISTE UN CANTO DI LIBERTÀ. LA POESIA UKRAINA SI FA MUSIC”
Tеtiana KRULIKOVSKA
“CLASSIC ZAREMBA FEST”: HISTORY OF FORMATION AND ROLE IN THE DEVELOPMENT OF VOCAL ART IN UKRAINE
Serhii KUDRIAVTSEV
GENRE-DRAMATURGICAL FUNCTIONS OF THE PIANO PART IN LESIA DYCHKO’S VOCAL CYCLE “ENHARMONIC”
Taras MAZUR
HNAT KHOTKEVYCH: THE ARTIST’S VOCAL HERITAGE – TERRA INCOGNITA OF UKRAINIAN MUSICOLOGY
Dmytro MAKSYMENKO
ELIZA HALL: CONTRIBUTION TO THE FORMATION OF SAXOPHON PERFORMANCE IN THE CONTEXT OF MUSICIAN CONTROVERSIES
Roman POKHODNIA
VOCAL DECLAMATION AND POLYPHONY IN THE INTONATIONAL DRAMATURGY OF PAUL HINDEMITH’S DAS MARIENLEBEN, OP. 27: NOS. 10–12 AND 14
Anton CHEBOTARYOV
COMMUNICATIVE FUNCTIONS OF NATIONAL INTONATION IN YEVHEN MILKA'S CHAMBER MUSIC