Issue № 104, 2026 р.
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HISTORY
Ihor BOIKO
THE SCHOLARLY AND PEDAGOGICAL ACTIVITIES OF VOLODYMYR KUBIYOVYCH IN THE INTERWAR PERIOD
Rafiqa GULIYEVA
ARTISTIC FEATURES OF AZERBAIJANI METALWORK IN FOREIGN MUSEUM COLLECTIONS
Lidiia LAZURKO
MILITARY TRAINING FOR STUDENTS IN POLAND: HISTORICAL CONTINUITY AND CONTEMPORARY TRANSFORMATIONS OF THE “LEGIA AKADEMICKA” PROGRAMME
Oleksandr MALETS, Vasyl KALIY, Natalia MALETS
FINANCIAL AND MEDICAL INFRASTRUCTURE OF MUKACHEVO AND THE MUKACHEVO REGION IN THE CONTEXT OF CZECHOSLOVAK MODERNIZATION (1920S–1930S)
Volodymyr MANDRAGELIA, Oleksii KOLIEVATOV, Oleksandr KRUK
HISTORICAL MEMORY AS A FACTOR IN THE FORMATION OF THE NATIONAL AND CIVIC IDENTITY OF UKRAINIAN YOUTH
Natalia MARTSINKO, Hryhorii ANTONOV
THE DIME MODEL IN THE HYBRID CONFLICT SYSTEM: FROM THE COLD WAR TO THE RUSSIAN-UKRAINIAN WAR
Volodymyr ROMANTSOV, Vadym KOROBKA, Svitlana NOVIKOVA
KHRUSHCHEV DE-STALINIZATION IN UKRAINIAN HISTORIOGRAPHY OF THE POST-SOVIET ERA
Oleksii FURTES, Ruslan YURCHENKO
POLAND’S CONTRIBUTION TO UKRAINE’S RESILIENCE DURING THE WAR FOR INDEPENDENCE
LINGUISTICS. LITERATURE STUDIES
Nataliia BANIAS, Volodymyr BANIAS, Kateryna LIZAK
REIMAGINING FEMALE AGENCY ON THE AMERICAN FRONTIER: A COMPARATIVE READING OF THOMAS EIDSON’S ALL GOD’S CHILDREN AND WILLA CATHER’S MY ÁNTONIA
Olena BARABASH, Mykola PROKHOROV, Orest VASYLKO
THE ROLE AND STATUS OF BIBLICAL VOCABULARY IN THE ENGLISH LEXICON
Yuliia VASEIKO, Nataliia TSOLYK, Nataliia KASIANCHUK
CORPUS-BASED STUDY OF GRAMMATICAL TRANSFORMATIONS IN POLISH–UKRAINIAN SPECIALISED TRANSLATION
Olena GAYEVSKA
METHODS OF TEXT ANALYSIS AND MEMORY STUDIES: FROM TRADITIONAL APPROACHES TO TRANSFORMATIONS OF THE DIGITAL AGE
Inna GOLOPYCH, Viktoriia PERTSEVA
ACADEMIC DISCOURSE IN THE GENRES OF SCIENTIFIC COMMUNICATION: APPROACHES AND METHODS OF ANALYSIS
Inna HORYLENKO
ENGLISH-LANGUAGE DISCOURSE ON HYPNOTIC INFLUENCE: GENRE MODELS AND STRUCTURAL ORGANISATION
Iryna DYMOVA
DEVELOPING LEXICAL COMPETENCE IN FOREIGN LANGUAGE TEACHING FOR LAW STUDENTS
Hanna DOVHOPOLOVA, Liubov KOZUB, Olena MELNYK
WAR-RELATED NEOLOGISMS IN MODERN ENGLISH-LANGUAGE MEDIA DISCOURSE ABOUT UKRAINE
Viktor DREBET, Ivan YATSYUK, Mykola KEBALO
THE SYNERGETIC DIMENSION OF NOUN DECODING WITH THE CASE ROLE NOMINATIV: (ON THE BASIS OF GERMAN-LANGUAGE FICTION AND PRESS)
Hanna ZHYZDIUK
LINGUISTIC STRATEGIES OF PERSUASION IN ENGLISH-LANGUAGE POLITICAL DISCOURSE
Inna KYSIL, Olha KOMARYNSKA
PHRASEOLOGICAL UNITS IN ENGLISH SCIENTIFIC AND TECHNICAL TEXTS
Mariia LEVISHCHENKO
THE COMPLIMENT AS A COMPONENT OF THE SOCIOCULTURAL COMMUNICATION SITUATION IN VICTORIAN DISCOURSE
Anastasiia LYTOVKA
ARGOT, JARGON, INTERJARGON, AND SLANG IN THE CONTEXT OF THE TERMINOLOGICAL DELIMITATION OF SOСIOLECT TYPES
Anna MARMULYAK, Khrystyna VERBYTSKA, Tetiana LYPCHENKO
SUGGESTIVE POTENTIAL OF ENGLISH-LANGUAGE COMMUNICATION IN THE DIGITAL ENVIRONMENT: VERBAL REPRESENTATIVE AND CHALLENGES TO LINGUISTIC SECURITY
Olena MASHKINA
VERBAL REPRESENTATION OF THE CONCEPT OF “DEATH WITH DIGNITY” IN GERMAN-LANGUAGE DISCOURSE ON PALLIATIVE CARE
Ivan PAROVIAK
EXPRESSIVE POTENTIAL OF ASYNDETON AND POLYSYNDETON IN PATRICK SÜSKIND’S “PERFUME. THE STORY OF A MURDERER”
Roksolana–Yustyna PERKHACH-TRYSTRUHA, Iryna HAIDEI
THE METHODOLOGY FOR COMPILING A CONCISE DICTIONARY OF LINGUISTIC INFLUENCE TOOLS IN THE FINANCIAL SERVICES SECTOR
Olga SOLOVIOVA
THE AXIOLOGICAL PROFILE OF THE AESTHETIC-COSMOLOGICAL DOMAIN OF EVALUATION IN OLD ENGLISH
Tetiana STAROSTENKO
METAMODERNISM AS A RECONSTRUCTION OF THE DISRUPTED UNITY OF BEING
Dmytro TERIAIEV
TRANSLATION RISKS IN UKRAINIAN-RUSSIAN JUDICIAL DISCOURSE
Kateryna TOVSTONOH, Olena SOBOLIEVA
SOUND POETICS AND CHARACTER CONSTRUCTION: THE CONCEPT OF THE PHONETIC MASK IN JEAN RACINE’S TRAGEDIES
Anzhelika YANOVETS, Kateryna HONCHAR, Anastasiia SHEVCHUK
THE IMPACT OF ARTIFICIAL INTELLIGENCE ON THE DEVELOPMENT OF ACADEMIC WRITING AND TRANSLATION PRACTICES
MUSIC ART
Serhii VAVRYSHCHUK
INTONATION ACCURACY AND FACTORS INFLUENCING ITS FORMATION IN VOCAL-ENSEMBLE PRACTICE
Dmytro HARKAVENKO, Svitlana GMYRINA, Tetiana LANINA
BETWEEN FUNCTION, SONORITY, AND POLYPHONY: PRINCIPLES OF KEITH JARRETT’S HARMONIC THINKING IN “OVER THE RAINBOW”
Guo JING
NATIONAL TRADITIONS AND WESTERN INFLUENCES IN THE FORMATION OF CHINESE POPULAR MUSIC CULTURE
Pavlo ZIBROV, Vladyslav ZAITSEV
FROM BASIC VOCAL TECHNIQUE TO A SIGNATURE SOUND: SPECIFIC FEATURES OF VOCAL PRODUCTION IN CONTEMPORARY POP MUSIC
Olga ZOSIM
UKRAINIAN ART MUSIC IN IMMERSIVE AUDIO FORMATS: THE ALBUM “MUSIC FOR UKRAINE”
Oleksandr SOSHALSKYI
THE ACCOMPANIST’S SKILL AS A FACTOR IN THE PROFESSIONAL DEVELOPMENT OF A FUTURE ACTOR IN THE VOCAL CLASS