Issue № 87 Volume 2, 2025 р.
Download the issue as one file
HISTORY
Oleksandr PAHIRIA
RESISTANCE MOVEMENT IN THE HUNGARIAN-OCCUPIED TERRITORY OF TRANSCARPATHIA (MARCH-MAY 1939)
Yuliia MATIIV
SOCIAL ORIENTATIONS OF UKRAINIAN POLITICAL PARTIES DURING THE FORMATION OF MULTIPARTY SYSTEM IN THE UKRAINIAN SSR
Volodymyr OSTROVYI
GERMAN SETTLERS AND COLONISTS IN THE HISTORY OF DUNAYIVTSI, USHYTSIA COUNTY OF THE PODILIA GOVERNORATE (LATE 18TH – EARLY 20TH CENTURY): A SOCIO-ECONOMIC ASPECT
Ivan PANASIUK
THE FLORENTINE COUNCIL AND ITS INFLUENCE ON THE CHURCH-RELIGIOUS RELATIONS OF THE KYIV LAND (FIRST HALF OF THE 15TH CENTURY)
Oleg PETRECHKO, Bohdan LASTOVIAK
FERALIA: MAGICAL RITUAL AND RELIGIOUS FUNCTION
ART STUDIES
Olga PUKLICH, Anatolii DOLUDA, Nataliia ANTONENKOVA
RESEARCH AND RESTORATION OF YEHOR SHREIDER’S WORK “EVENING LANDSCAPE”
Aureliia KOLIESNIKOVA, Mariia KOVALENKO, Oleksandr KROTEVYCH
COMPUTER GRAPHICS IN GRAPHIC DESIGN AS A MEANS OF INTERPRETATION AND TRANSFORMATION OF NAÏVE ETHNIC ART IN THE CONTEXT OF CONTEMPORARY VISUAL CULTURE
Viacheslav KOLOMIIETS, Olha BILASH, Oleksandr NESTEROV
NATIONAL HERITAGE AS THE BASIS FOR THE FORMATION OF CONTEMPORARY CHOREOGRAPHIC ART OF UKRAINE
Ihor КOSTENKO, Nazar POHORETSKYI
TYPOGRAPHY IN DIGITAL MEDIA OF MODERN INFORMATION SPACE
Galyna LYTVYNENKO, Olena VASYLIEVA, Vadym BATRAK
ANALYSIS OF THE BASIC PRINCIPLES OF LOGO DESIGN FOR CAFÉS BASED ON THE FELINOTHERAPY METHOD: COLOR, COMPOSITION, CORE ELEMENTS
Lyudmila LISUNOVA, Lyudmila GAPONOVA, Serhiy ANDRIENKO
ETHNODESIGN IN TRAINING OF SPECIALISTS IN THE FIELD OF INDUSTRIAL DESIGN
Liang LIJUAN
ARIAS FROM GIACOMO PUCCINI'S OPERA “TOSCA” IN CONCERT PERFORMANCE BY CHINESE SINGERS: FEATURES OF INTERPRETATION
Lidiia MAKARENKO, Mykhailo KULYNYAK, Nataliia TORKONIAK
SONG AS A FACTOR OF NATIONAL MEMORY IN UKRAINIAN CINEMA
Lidiia MAKARENKO
FORMATION OF NATIONAL CONSCIOUSNESS OF HIGHER EDUCATION STUDENTS AS A PHILOSOPHICAL VECTOR OF STATE-BUILDING IN THE CONDITIONS OF WAR
Iryna MAKAROVA, Elina SAMOILOVA, Yevheniia SLASTINA
ARTISTIC PRINCIPLES OF FORMING THE ARTISTIC VISION OF FUTURE CHOREOGRAPHERS
Lolita MALA
EVOLUTION OF VOLUME EYELASH EXTENSION TECHNIQUES: INFLUENCE ON MODERN CANONS OF FACIAL VISUAL AESTHETICS
Anatolii MISIUK
THE EVOLUTION OF ABSTRACT IMAGES IN UKRAINIAN POSTMODERN PAINTING
Yuliia MOSKVICHOVA, Anastasia MALA
STAGE REALIZATION OF PODILLIA FOLK CHOREOGRAPHY: ANALYSIS OF ARTISTIC PRINCIPLES AND CREATIVE STRATEGIES OF LEADING ENSEMBLES
Peter NAGULYAK
EXPRESSIVE MEANS OF GRAPHIC ART IN MONUMENTAL PAINTING AND THEIR ROLE IN TEACHING STUDENTS OF THE FACULTY OF ART AND GRAPHICS
Oleksii NASTACHENKO, Andrii LEBED, Ihor SIKALOV
COMMUNICATIVE ASPECTS OF DEVELOPING THE SKILLS OF AN ACTOR AND PRESENTER
Yaroslava OLIINYK
LULLABY AND ITS INFLUENCE ON THE EMOTIONAL STATE OF A PERSON
Bozhena PANAKHOVA
PECULIARITIES OF THE PIANO TRANSCRIPTION OF A. VIVALDI’S CONCERTO CYCLE “THE FOUR SEASONS” FOR TWO PIANOS BY K. VILENSKY
Denys POGORELCHUK
KEY PRINCIPLES OF INCLUSIVE DESIGN FOR ADAPTIVE BRAIN-COMPUTER INTERFACES
Alina PROKOPENKO
THE FORMATION OF THE DOMRA CONCERTO IN UKRAINE: PRECONDITIONS, TRENDS, PERSPECTIVES
Adrian RYBCHYNSKYI
INTEGRATING TRADITION AND INNOVATION IN THE MODERN DESIGN OF THE RESIDENTIAL COURTYARD SPACES OF THE 19–20 CENTURIES IN LVIV
Nataliia SAVASTRU, Alla STOZHOK, Maryna PETRENKO
ANALYSIS OF THE IMPACT OF INNOVATIVE TECHNOLOGIES ON CONTEMPORARY MUSIC ART IN UKRAINE
LINGUISTICS. LITERATURE STUDIES
Myroslava ZYMOMRYA, Olena ZYMOMRYA, Vita RUSNAK
TERMINOLOGY OF APPLIED FOLK ART AS A CULTURAL BRIDGE: TRANSLATION AND RECEPTION
Nastasiia IVONCHAK
“I DO NOT WRITE ABOUT MY GRIEF”: THE CONCEPT OF SILENCE IN THE DIARIES OF O. KOBYLIANSKA AND I. ZHYLENKO
Tetiana KALINICHENKO
EXPLICITATION AS A UNIVERSAL OF TRANSLATION AND COHESION AND COHERENCE IN TRANSLATION STUDIES
Svitlana KYRYLYUK
STRUCTURAL FEATURES OF BORROWED ABBREVIATIONS IN GERMAN-LANGUAGE JOURNALISTIC DISCOURSE
Diana KIM, Yuliia CHERNOVA
FEATURES OF TRANSLATING PROPER NAMES (BASED ON THE NOVEL BY J. BARNES “HISTORY OF THE WORLD IN 10½ CHAPTERS”)
Olha KRAVETS
AT THE TURN OF THE CENTURY: MARKERS OF MODERN UKRAINIAN CHILDREN’S LITERATURE
Mariia KUKHARCHYSHYN, Adriana CHUCHVARA, Khrystyna SHCHEPANSKA
PRECEDENT NAME IN VOLODYMYR ZELENSKYI’S PRESIDENTIAL DISCOURSE: STRATEGIES FOR VERBAL INFLUENCE ON THE ADDRESSEE
Viktoriia LIULKA, Yanina TAHILTSEVA, Maryna NAZARENKO
ENHANCING SCIENTIFIC ENGLISH EDUCATION WITH NEW TEACHING STRATEGIES
Borys MEZHERITSKY
THE PROBLEM OF COGNITIVE MAPPING AS A PHILOLOGICAL PHENOMENON
Daryna MORHUN, Natalia ISAIEVA
IMAGES OF THE EXOTIC OTHER IN THE TRAVELOGUES OF SAN MAO AND SOFIA YABLONSKA
Larysa MOSIYEVYCH
LINGUISTIC-COGNITIVE MECHANISMS OF MODELING THE POST-COVID CONCEPT IN ENGLISH-LANGUAGE MASS MEDIA
Serhii NANAI
EXISTENTIALIST DISCOURSE IN THE WORKS BY J.-M. G. LE CLEZIO
PEDAGOGY
Vira LAVRUKHINA
USING ARTIFICIAL INTELLIGENCE IN FOREIGN LANGUAGE TEACHING
Dmytro MAZIN, Lyudmila NESTERENKO
THE MANAGERIAL DIMENSION OF PSYCHOLOGICAL INTERACTION IN HIGHER EDUCATION: FACILITATING MANAGER
Volodymyr OVCHARUK
MODELING THE PROCESS OF DEVELOPING THE CREATIVE POTENTIAL OF FUTURE MARINE MECHANICS
Nataliia OPANASENKO, Halyna CHERNENKO
ORGANISING AN INNOVATIVE EDUCATIONAL ENVIRONMENT IN THE NEW UKRAINIAN SCHOOL
Antonina PAK, Anastasiia YUMRUKUZ, Bohdana AVRAMENKO
MULTIMODALITY AS AN INNOVATIVE APPROACH IN TEACHING KOREAN: THEORETICAL FOUNDATIONS AND PRACTICAL GUIDELINES
Sofiia PETROVA
PROFESSIONALISM, CONSENSUS, DUALITY: THE BASIC PRINCIPLES OF GERMANY’S DUAL EDUCATION AND THEIR CONTEMPORARY RELEVANCE
Daria RYBALKO
IMPLEMENTATION OF SOCIAL AND EMOTIONAL LEARNING IN THE SYSTEM OF MUSIC PEDAGOGY: EXPERIENCE AND PROSPECTS
Yulia RIBTSUN, Mariia-Viktoriia BODNARIUK
LOGODIAGNOSTICS OF SKILLS FOR UNDERSTANDING AND USING PREROSITIONAL CONSTRUCTIONS IN PRESCOOL AGE CHILDREN WITH GENERAL SPEECH UNDERDEVELOPMENT