Issue № 92 Volume 2, 2025 р.
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HISTORY
Maksym LAKHTADYR
SOCIO-POLITICAL LIFE OF UKRAINIANS OF NANDSIANNIA AS PART OF THE POLISH REPUBLIC (1918–1939)
Natalia MARTSINKO
WARFARE AS BUSINESS: ECONOMIC MODEL OF RUSSIAN PRIVATE COMPANIES
Yurii ONYSHCHENKO
ESTABLISHMENT OF UKRAINE-UNESCO COOPERATION: A HISTORICAL OVERVIEW AND THE ROLE OF NON-GOVERNMENTAL ORGANIZATIONS IN SAFEGUARDING INTANGIBLE CULTURAL HERITAGE
Bohdan PASKA, Lilia BASISTA, Natalia SHEPITAK
MEASURES OF THE UKRAINIAN DIASPORA TO SUPPORT UKRAINIAN POLITICAL PRISONERS DURING THE REPRESSIVE WAVE OF 1972–1973
Yaroslav PETRYSHYN
ELECTORAL CAMPAIGNS OF FAR-RIGHT AND RIGHT-POPULIST PARTIES IN THE POLISH PARLIAMENTARY ELECTIONS (2015–2023): THE UKRAINIAN CONTEXT
Vira REVENKO, Pavlo BEREST, Maryna АKEKSANDROVA
THE ROLE OF MUSEUMS AND CULTURAL INSTITUTIONS IN THE PRESERVATION AND PROMOTION OF CULTURAL HERITAGE IN THE DIGITAL AGE
Ivan RUDYANIN
ARTIFICIAL INTELLIGENCE AS A TOOL FOR PERSONALIZING HISTORY EDUCATION IN HIGHER EDUCATION INSTITUTIONS
Mykhailo TYMOSHYK
AWARDS AS A REFLECTION OF SOCIAL STRATIFICATION AND SOCIAL HIERARCHY IN A HISTORICAL PERSPECTIVE
Oleksandr TOMCHUK
PASTORS-VOLUNTEERS IN THE CONDITIONS OF RUSSIA’S FULL-SCALE WAR AGAINST UKRAINE: SPIRITUAL AND SOCIAL DIMENSION
ART STUDIES
Kateryna REZNICHENKO
FLUID IDENTITY IN VISUAL ART BETWEEN DEFORMATION AND DISSOLUTION OF THE BODY
Iryna LITICHEVSKA
HISTORICAL AND CULTURAL BACKGROUND OF THE FORMATION OF THE KYIV SCHOOL OF LANDSCAPE PAINTING
Kateryna LOZENKO
INTERMEDIALITY AND INTERMEDIA IN THE CONTEXT OF CONTEMPORARY ART STUDIES: THEORETICAL ASPECTS
Natalia MAKAROVA
KOLIMSKY SOLOVEIKO (ON THE EXAMPLE OF THE ANALYSIS OF THE PRELUDE AND FUGE IN B MAJOR № 11 FROM THE CYCLE “24 PRELUDES AND FUGE” BY V. ZADERATSKI)
Alla MELNYK, Iryna KUSKOVA, Liudmyla PETRENKO
SPECIFICS OF THE CONCERTMASTER’S WORK IN A DISTANCE FORMAT: PROBLEMS OF COMMUNICATION AND INTERPRETATION
Hnat MIERIENKOV
THE EVOLUTION OF THE HIP-HOP VISUAL CODE: A COMPREHENSIVE ANALYSIS OF GRAMMY-WINNING ALBUM COVER DESIGN (1996–2024)
Rada MYKHAILOVA, Sofia KOVTUN
VISUAL IDENTITY IN SPORTS BRANDING: THE ROLE OF CORPORATE STYLE IN COMMUNICATION WITH THE TARGET AUDIENCE
Olga MYKHAILOVA, Olena POHODA
DIMENSIONS OF VISUALITY IN THE WORKS OF CONTEMPORARY KHARKIV COMPOSERS
Zhang MIN
COMPOSER SHI GUANNAN: ON THE QUESTION OF GENRE-STYLE PERIODIZATION OF MUSICAL CREATIVITY
Anastasiia MULIAR
FEATURES OF ARTHUR SCHNABEL’S PERFORMANCE STYLE IN THE INTERPRETATION OF LUDWIG VAN BEETHOVEN’S PIANO SONATAS
Pavlo MULIAR
PIANO SONATAS OF L. VAN BEETHOVEN AND F. SCHUBERT: GENRE-STYLE PARALLELS
Tang Gao SIJIA
INTERFERENCE OF CULTURAL CODES IN LEI LIANG’S CONCERTO TREMORS OF A MEMORY CHORD
Nataliia SKLIARENKO, Stanislav MYGAL, Roksolana DUDKA
DESIGN THINKING AS A PARADIGM OF EDUCATIONAL TRANSFORMATION IN IN PROFESSIONAL PREPARATION OF DESIGNERS
Olha TERESHCHENKO, Olga MYKHAILIUK
TRADITIONAL ORNAMENTAL AND DECORATIVE DECORATION OF UKRAINIAN OLD PRINTS: METHODS AND TECHNIQUES
Ruslana TKACHENKO
PLAYING WITH SPACE IN CONTEMPORARY VISUAL CULTURE
Aliona KHAILO
REPRODUCTION OF TRADITIONAL MUSICAL INSTRUMENTS IN THE UNIVERSE OF “THE ELDER SCROLLS” VIDEO GAME SERIES
Alina SHAURA, Vadym BATRAK, Anastasiia IHNATENKO
THE PSYCHOLOGY OF COLOR AND SHAPE IN IDENTITY FOR CHILDREN’S TOY BRANDS
Wu YUXUAN
THE ORGAN CONCERTO BY FRANCIS POULENC AS A MODEL OF GENRE SYNTHESIS
Taras YUKHYMENKO
PROCESSUALITY AND STRUCTURALITY IN THE CONTEXT OF RESEARCH INTO MUSICAL CULTURE
Oleksii YAVORSKYI
FORM AS THE MAIN ATTRIBUTE OF PACKAGING DESIGN AND A METHOD OF OBTAINING A NEW EXPERIENCE FOR THE CONSUMER
LINGUISTICS. LITERATURE STUDIES
Iryna OLEKSANDRUK
ANGLICISMS IN CONTEMPORARY MILITARY LEXICON OF THE UKRAINIAN LANGUAGE
Anna OCHKOVSKA, Olha REMBACH, Yuliia SABADOSH
IDEOLOGY AND TRANSLATION: HOW THE MEANING OF AN ENGLISH TEXT CHANGES DEPENDING ON THE SOCIOCULTURAL CONTEXT OF THE RECIPIENT
Volodymyr PASICHNYK, Maksym YAROMYCH
INFORMATION TECHNOLOGY FOR LEXICOGRAPHIC ANALYSIS USING LARGE LANGUAGE MODELS (IN THE PROBLEM DOMAIN OF “ARTIFICIAL INTELLIGENCE”)
Andreya PEVSE, Béla BÁRÁNY
TRANSLATION AS A TOOL OF INTERCULTURAL COMMUNICATION IN THE ERA OF ARTIFICIAL INTELLIGENCE
Iryna RIABCHUN
“DISAPPEARANCE” OF THE ANCIENT GREEK MUSIC: STEREOTYPES AND REALITY
Viktoriia SVITLYCHNA, Andrii SOTNYKOV
LEXICAL, GRAMMATICAL AND STYLISTIC FEATURES OF TRANSLATING ENGLISH-LANGUAGE POLITICAL SPEECHES
Tetiana STAROSTENKO
TRAUMA AS A LITERARY CONSTRUCT. MILITARY TRAUMA IN 21ST-CENTURY UKRAINIAN POETRY
Serhii TERESHCHENKO
NOMINATIONS OF THE MAIN TYPES OF WEAPONS IN THE UKRAINIAN INSURGENT ARMY
Olha TOVT
THE CONCEPT OF “NATIVE LAND” IN THE TRILOGY “VOLYN” BY ULAS SAMCHUK
Petro FERENC, Oleksandr MALETS, Natalia MALETS
THE UKRAINIAN WRITTEN LANGUAGE AND THE FORMATION OF BUSINESS ETIQUETTE NORMS IN ZAKARPATTIA AT THE LATE 19TH AND EARLY 20TH CENTURIES IN THE CONTEXT OF THE NARODOVETS TRADITION
Olha TSYHANOK
THE POETIC CYCLE ABOUT THE PASSION OF CHRIST BY YOSYP TUROBOYSKYI. PART 1
Oleksii SHEBUNIAIEV
THE USAGE OF CDA IN TURKISH BUSINESS DISCOURSE TRANSLATING
PEDAGOGY
Olena LUTSENKO, Nataliia SEMINIKHYNA
TEACHING PRACTICES FOR DEVELOPING STUDENTS’ AWARENESS OF SELF-DISCIPLINE IN NATIONAL SECURITY MANAGEMENT
Volodymyr TATARIN
PREPARING NON-LANGUAGE MAJORS FOR PROFESSIONAL AND BUSINESS COMMUNICATION IN ENGLISH: OVERCOMING BARRIERS TO SPEAKING AND WRITING
Svitlana TESLENKO
THE FAMILY AS A PARTNER OF EDUCATORS IN DEVELOPING THE NATURAL AND ECOLOGICAL COMPETENCE OF OLDER PRESCHOOL CHILDREN
Oksana TRYHUB, Anna KURASHYNA
INTEGRATING AUTHENTIC TEXTS INTO GRAMMAR TEACHING: BENEFITS AND CHALLENGES
Kateryna YUZEFOVYCH, Mariia STUPENKO, Zinayida LEVCHENKO
INTEGRATION OF GENERATIVE ARTIFICIAL INTELLIGENCE INTO ESP (ENGLISH FOR SPECIFIC PURPOSES) TEACHING: OPPORTUNITIES, CHALLENGES AND ETHICAL ASPECTS