Issue № 94 Volume 2, 2025 р.
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HISTORY
Maksym LANOVYI
THE UKRAINIAN SUPREME LIBERATION COUNCIL IN THE CONTEMPORARY HISTORIOGRAPHICAL NARRATIVE OF UKRAINE
Vyacheslav ONYSCHAK
THE MINSK PROCESS AND THE DIPLOMATIC SETTLEMENT OF THE CONFLICT (2016–2019) BASED ON MATERIALS FROM THE GERMAN NEWSPAPER DIE ZEIT
Yaroslav PETRYSHYN
THE UKRAINIAN FACTOR IN THE FOREIGN POLICY AGENDA OF THE “JOBBIK” PARTY (2014–2022)
Serhii SUDAKOV
THE IMAGE OF ENGLISH PRESBYTERIANISM IN BRITISH HISTORIOGRAPHY: FROM THE “PURITAN REBELLION” TO THE “ALTERNATIVE CONFESSIONALIZATION”
Vitalii TELVAK, Oleh RADCHENKO, Volodymyr NAKONECHNYI
HOW MYKHAILO HRUSHEVSKY WAS STRIPPED OF HIS PROFESSORSHIP: DOCUMENT TEXTS AND CONTEXT OF EVENTS
Myroslava FILIPOVYCH, Roman KRISCHUK
CZECHOSLOVAKIA AS A SPACE OF UKRAINIAN INTELLECTUAL ACTIVITY BETWEEN THE TWO WORLD WARS
Vasyl KHOMITSKYI
THE AUTOCEPHALIC MOVEMENT IN THE ZBORIV AND BEREZHANY PARISHES OF THE TERNOPIL REGION (1989–1990)
Anastasiia CHUMAKOVSKA
EDITORIAL AND JOURNALISTIC ACTIVITY OF ROMAN RAKHMANNYI (OLIINYK) IN CHAS (1945–1948): BASED ON MATERIALS FROM THE ARCHIVES OF THE UKRAINIAN FREE UNIVERSITY (MUNICH)
ART STUDIES
Yi LIU, Alla RUBANKA
STRUCTURAL LINE ORGANIZATION AND FORM SEMANTICS OF SMART SHIRTS
Natalia MAKAROVA
PRELUDE AND FUGU IN E-FLAT MAJOR NO. 19 BY VSEVOLOD PETROVICH ZADERATSKY AS A MUSICAL MODEL OF EXISTENTIAL COMMAND
Denys MELIANOVSKYI
BRAND AS A FAIRY TALE: THE USE OF CHARACTERS IN MARKETING IN THE 20TH AND 21ST CENTURIES
Vladyslav MILENKII, Serhii MYSAK, Olha BORYSENKO
THE USE OF ARTIFICIAL INTELLIGENCE IN THE CREATION OF ARTISTIC PRODUCTS AND ITS LEGAL REGULATION
Volodymyr MOROZOV
COMPARATIVE ANALYSIS OF SOFTWARE PLATFORMS FOR GENERATIVE DESIGN
Ruslan NEUPOKOIEV
EVENT AS AN ONTOLOGICAL CATEGORY OF DIRECTING
Zhanna NIMENSKA
MUSICAL AND DRAMATIC PRINCIPLES OF ACTING IN THE MODERN THEATER
Olena OZIRNA
PAVLO GORBENKO: FUNCTIONARY OR ART HISTORIAN?
Vladyslav OLEINYKOV, Andrii BUDNYK
TRANSFORMATION OF THE FUNCTIONS AND VISUAL LANGUAGE OF THE WARTIME POSTER IN DIGITAL COMMUNICATIONS DURING THE FULL-SCALE INVASION
Iryna PALIY
UKRAINIAN REPERTOIRE FOR WIND ENSEMBLES IN THE 21ST CENTURY: PERFORMANCE STRATEGIES
Nataliia POPOVA
A SOUNDSCAPE AS A MODEL OF AUDIO CULTURE IN THE CONCEPT OF ACOUSTIC ECOLOGY
Julia RADKEVYCH
PERFORMANCE SPECIFICITY OF CHAMBER AND VOCAL WORKS I. KARABYTS, YU. ISHKENKA, V. GUBARENKA (ON THE EXAMPLE OF VOCAL CYCLES FOR SOPRANO)
Bohdan RUZHANSKYI, Oleksandr BEZRUCHKO
GENDER DIMENSIONS OF SURVIVAL: CINEMATOGRAPHIC IMAGES OF WOMEN IN THE CONTEXT OF WAR ( XX–EARLY XXI CENTURY)
Oleksandr SELYAK, Olena SLITYUK
CULTUROLOGICAL PROBLEMS OF CONTEMPORARY ART PRACTICES
Yaroslava SERDIUK
CONTEMPORARY UKRAINIAN PIANO MINIATURE: STYLISTIC TRENDS (USING EXAMPLES OF WORKS BY COMPOSERS-WINNERS OF THE 'MODERN MUSIC WORKSHOP COMPETITION)
Wang XINMIN
MODERNIZATION OF APPROACHES TO VIOLIN EDUCATION IN CHINA IN THE CONDITIONS OF GLOBALIZATION CHANGES
Oleksandr SKLIAROV
THE PHENOMENON OF NEOCLASSICISM AS A NEW DIRECTION IN MUSICAL ART OF THE LATE 19TH – EARLY 20TH CENTURIES
Vladyslav SLYVKA
DESIGN OF CRAFT PRODUCT BRANDS IN TRANSCARPATHIAN WINEMAKING: A NEW VISUAL “ENOLOGY”
Dmytro SOLOVIOV
THE SOVIET PLAN OF MONUMENTAL PROPAGANDA AND THE MEXICAN STATE MURAL PROGRAM: A COMPARATIVE ANALYSIS
Andrii STRILETS
“VESNIANKA” BY A. STRILETS: PRINCIPLES OF THE COMPOSER’S ORCHESTRATION”
Daryna SUPRUNOVA
“PINOCCHIA” BY BORYS SEVASTYANOV AS A NEOMYTHOLOGICAL GENRE MODEL IN CONTEMPORARY UKRAINIAN MUSICAL THEATRE
Artem TARASOV
ARTIFICIAL INTELLIGENCE IN CREATING VISUAL CONTENT FOR WEB DESIGN AND THE TRANSFORMATION OF DESIGN PRACTICES
Nataliia TORKONIAK
ETHNIC TRADITIONAL CODES OF THE CARPATHIAN REGION IN UKRAINIAN POPULAR MUSIC (ON THE EXAMPLE OF HUTSUL FOLKLORE)
Kostyantyn TRIKOZYUK
FEATURES OF THE CONTEMPORARY FUNCTIONING OF FOLK INSTRUMENT ORCHESTRAS IN KHARKIV
Yeva TRUSOVA, Hanna CHEMERYS
FEATURES OF THE APPLICATION OF PSYCHOPHYSIOLOGY OF COLOUR PERCEPTION IN PEOPLE WITH COLOUR BLINDNESS IN THE DESIGN OF UNIVERSAL IDENTITY
Zhetao ZHANG, Olena GERASYMENKO
INNOVATION OF SPECIAL WORKWEAR DRIVEN BY SUSTAINABLE DESIGN: RESEARCH ON PRACTICAL PATHWAYS AND STRATEGIES
Ruslan CHYHRYN
AESTHETIC REGULATION OF PSYCHOEMOTIONAL STATE THROUGH ORIGINAL FLORAL COMPOSITIONS
Alina SHAURA, Andrii BERDNIKOV
MULTIMEDIA DESIGN AS A TOOL FOR BRAND VISUAL STRATEGY IN SOCIAL MEDIA
Rostyslav SHMAGALO
SACRED FORGED METAL IN THE CREATIVE WORK OF OLEG BONKOVSKY
Yan YASINSKYI, Maryna KOLOSNICHENKO
PRE-PROJECT RESEARCH AS A COMPONENT OF INNOVATION IN DESIGN
LINGUISTICS. LITERATURE STUDIES
Valentyna KRYVENCHUK
THE ONYMIC SPACE OF STANISLAV SHUMYTSKYI’S POETIC WORLDVIEW
Anna KRYCHUN
AUTOCHTHONOUS CONCEPTS OF THE COSY DISCOURSE IN ENGLISH-LANGUAGE LINGUOCULTURE
Mykhailo MESHYI
EDITORIAL REVISIONS IN SOME UNAUTHORISED EDITIONS OF “A SHORT HISTORY OF UKRAINE” BY IVAN KRYPIAKEVYCH
Hanna OVSIANYTSKA
SPIRITUAL DIMENSION OF YU. PAIEVSKA`S (TAIRA) POETRY: THE POETICS OF LOVE ON THE EDGE (ON THE MATERIAL OF THE POETRY COLLECTION “LIVE”)
Vita OSMANOVA
SEMANTIC FEATURES OF THE NOUN IN THE DNIESTER DIALECT
Nataliya PRATSOVYTA
MYSTICISM AS AN APOLOGETIC PRINCIPLE IN THE THOUGHT OF G. K. CHESTERTON
Anastasiia PROTS, Fialka KARPIUK
TRANSCREATION AND LINGUISTIC CREATIVITY: A STRATEGIC FUSION IN ADVERTISING AND MARKETING TRANSLATION
Kateryna RUSAKOVA
TRANSCULTURAL POETICS OF ADELINE YEN MAH’S NOVEL “CHINESE CINDERELLA AND THE SECRET DRAGON SOCIETY”
Anhelina STOLITNIA
ACROSS THE LIFE: THE SPACE OF AN OLD AGE IN THE INTELLECTUAL NOVEL CROSSWORD BY VALERII SHEVCHUK
Olesya KHARKIVSKA
DEVELOPING WORD FORMATION SKILLS IN HIGHER EDUCATION STUDENTS THROUGH DIGITAL TEACHING METHODS
Olha TSYHANOK
THE POETIC CYCLE ABOUT THE PASSION OF CHRIST BY YOSYP TUROBOYSKYI. PART 2
Halyna SHKURKO
INTERACTIVE TECHNOLOGIES FOR TEACHING ORTHOGRAPHY IN THE CONTEXT OF A DIGITAL EDUCATIONAL ENVIRONMENT
PEDAGOGY
Karyna OSTROVSKA
IMPLEMENTATION OF THE COMPETENCY-BASED APPROACH IN THE MODERN FOREIGN LANGUAGE TEACHING PROCESS
Arthur PISKOVSKYI
FORMATION OF STAGE FREEDOM AND ACTING EXPRESSION IN CONDUCTING CLASSES OF FUTURE TEACHERS OF MUSIC
Oleksandr PRYVEZENTSEV
IMPLEMENTATION OF DESIGN THINKING METHODOLOGY IN PREPARING BACHELORS OF VOCATIONAL EDUCATION FOR EDUCATIONAL INTERFACE DESIGN
Nelya RUDNYTSKA
DEVELOPMENT OF CREATIVE THINKING IN PRIMARY SCHOOL STUDENTS IN THE PROCESS OF STUDYING THE MATHEMATICAL EDUCATIONAL FIELD
Larysa SYVA, Margarita TSYMBALENKO
TEACHING GENDER COMPONENTS IN ENGLISH AT THE FACULTY OF SOCIOLOGY
Vira SYNIEOK
UKRAINIAN FOLK DANCE AS THE FOUNDATION OF NATIONAL CULTURAL IDENTITY AMONG YOUTH
Olena TABINSKA
INTEGRATION OF STEAM ELEMENTS INTO THE PROCESS OF DEVELOPING LEARNERS’ TECHNICAL THINKING
Oksana FILONENKO
PROFESSIONAL TRAINING OF FUTURE TEACHERS FOR THE PERSONAL DEVELOPMENT OF STUDENTS IN DISTANCE LEARNING CONDITIONS
Olena YATSENKO
A MODEL FOR FORMING NATIONAL-PATRIOTIC VALUES IN STUDENTS THROUGH HISTORICAL LOCAL LORE