Issue № 103, 2026 р.
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HISTORY
Abdulla ABDULLAYEV
MAPPING MATERIAL CULTURE: A STATISTICAL SURVEY OF ANCIENT AND EARLY MEDIEVAL FUNERARY SITES IN MODERN AZERBAIJAN
Maksym VOLOSHYN
EVERYDAY LIFE OF GENERAL SECONDARY SCHOOL STUDENTS IN THE DROHOBYCH AND LVIV REGIONS, 1953–1964
Yehor ZHURKIN
ENVIRONMENTAL ISSUES IN THE ELECTION PLATFORMS OF UKRAINIAN POLITICAL PARTIES IN THE EARLY 2000S
Sviatoslav IVANO
FORMATION OF THE STATE SYSTEM FOR THE PROTECTION OF CULTURAL HERITAGE IN THE SECOND POLISH REPUBLIC (1918–1939): LEGAL AND INSTITUTIONAL ASPECTS
Rostyslav KOVAL, Olha ROMANCHUK, Ihor MONCHUK
STRYI RESIDENTS AT THE LYCHAKIV CEMETERY OF LVIV: PROFESSIONAL, SCIENTIFIC AND PEDAGOGICAL ACTIVITIES
Yevhenii KOSTIUK
THE POLISH SOCIALIST PARTY IN INTERWAR VOLYN: IDEOLOGY, ORGANIZATIONAL FORMS, AND REGIONAL SPECIFICS OF ITS ACTIVITY
Alexandr NOVOSIOLOV
“ON OUR DAILY BREAD”: THE FOOD PROVISIONING SYSTEM OF JESUIT CENTRES IN LVIV AND STANISLAVIV IN THE EIGHTEENTH CENTURY
Pavlo OVCHARENKO
UNIATE CONFESSIONALIZATION OF THE LVIV EPARCHY UNDER BISHOP ATHANASIUS SHEPTYTSKY (1715–1746)
Andrii PASTUSHENKO
THE CÁDIZ EXPEDITION AS AN EPISODE IN RELIGIOUS HISTORY
Oleksandra SABOV, Lerri RONAI
POWER AND EQUAL RIGHTS – THE ROLE OF WOMEN AND THE EMERGENCE OF FEMINISM IN HISTORY
Anatoliy TKACHUK, Daryna YATSYUK
NAPOLEON BONAPARTE'S STRATEGY AND TACTICS: EVOLUTION FROM AUSTERLITZ TO WATERLOO
Vasyl KHOMITSKY
TEACHING HISTORY IN SCHOOLS USING THE PROBLEM-BASED APPROACH
Tetiana SHKOLNIKOVA, Igor RATUSHNYAK, Taras BEDNARCHYK
PHILOSOPHICAL-PSYCHOLOGICAL FACTORS OF FORMATION OF ACADEMIC INTEGRITY IN THE CONTEXT OF THE HISTORICAL DEVELOPMENT OF UKRAINE
MUSIC ART
Svitlana ANFILOVA
THE KHARKIV CHILDREN’S BALLET THEATRE’S CREATIVE PROJECTS ON THE STAGE OF KHNATOB NAMED AFTER M. V. LYSENKO
Oleksandr VILA-BOTSMAN
CHORAL REALISATION OF MYROSLAV SKORYK’S OPERA MOSES: INVARIANT AND VARIABLE PARAMETERS OF PERFORMANCE INTERPRETATION
Guo JING
ARTISTIC AND PERFORMANCE PRINCIPLES OF POP VOCAL ART IN CHINESE MUSICAL CULTURE
Ivan ZYMOMRYA, Oleksandra GAZUDA
ONEIRIC MODALITY AS A STYLISTIC DOMINANT IN NEIL GAIMAN’S “THE OCEAN AT THE END OF THE LANE”: POST-IRONIC SENSIBILITY AND NEW SINCERITY
Georgy KURBANOV
CONTEMPORARY ROCK MUSIC AND JAPANESE MUSICAL ART
Iryna PALIY
MULTICULTURAL STRATEGIES IN CLARINET PERFORMANCE: FROM FOLK INTONATION TO POP STAGE PERFORMANCE
Yuliia PALTSEVYCH, Mykola DUDKO, Liliia LYTVYNENKO
THE FUNDAMENTALS OF PIANO ACCOMPANIMENT IN THE PROFESSIONAL MUSIC EDUCATION SYSTEM: A REVIEW OF INTERNATIONAL APPROACHES
Volodymyr PASICHNYK, Maksym YAROMYCH, Artem ASAULIUK
MULTI-AGENT APPROACH TO ONTOLOGY-GUIDED GENERATION OF SCIENTIFIC TEXTS: THEORETICAL FOUNDATIONS
Valerii PRIKHODKO
“UKRAINIAN DUMA” FOR BUTTOM ACCORDION BY ANATOLIY NIKIFORUK: GENRE-STYLE AND COMPOSITIONAL FEATURES
Olha TSOBENKO, Kseniia KOVALOVA, Tetiana STASHUK
ENGLISH FINANCIAL REPORTING AS A PROFESSIONAL DISCOURSE: LINGUISTIC CHARACTERISTICS
Illia YAKOVCHUK
REGISTER CONTRAST AS A FACTOR OF SONOROUS TRANSFORMATION IN CONTEMPORARY MUSIC FOR TUBA
LINGUISTICS. LITERATURE STUDIES
Iryna ARKHIPOVA
PRECEDENT PHENOMENA AS COGNITIVE FRAMING MECHANISMS IN ENGLISH-LANGUAGE MEDIA DISCOURSE
Nataliia BANIAS, Kateryna LIZAK, Daniela VASHKEBA
GOTHIC SPATIALITY AND THE POETICS OF SETTING IN SUSAN HILL’S THE WOMAN IN BLACK
Alina BURDIUH, Iryna ANDRUSHCHENKO
COMIC EFFECT IN THE FILM BRIDGET JONES’S DIARY AND ITS REPRODUCTION IN THE UKRAINIAN DUBBING
Valentyna VODIANA, Bohdan VODYANYI, Liudmyla SHCHUR
CROSS-DISCIPLINARITY IN THE DIRECTING OF UKRAINIAN FOLK-STAGE DANCE
Oksana DUBROVA, Inna HARKUSHA
DEVELOPMENT OF STUDENTS’ SOCIOCULTURAL COMPETENCE IN ESP CLASSES
Nataliia YEFREMOVA, Valentina BOICHUK
METHODOLOGICAL FRAMEWORKS FOR OPPOSITIONAL ANALYSIS IN PHRASEOLOGY
Andriana IVANOVA, Nika STUDENIAK-TOKARIUK
PECULARITIES OF VIDEO GAMES RENDERING INTO UKRAINIAN (BASED ON THE LOCALIZATION OF “BALDUR’S GATE 3”)
Marianna KOPCHAK, Oksana HRABELSKA, Nadiya DROFYAK
PRAGMATIC STRATEGIES OF VERBAL INFLUENCE IN CONTEMPORARY ENGLISH-LANGUAGE MEDIA DISCOURSE
Inna KOSHOVA
THE POETICS OF THE WATER ELEMENT IN LESYA UKRAINKA’S WORKS: LITERARY AND METHODOLOGICAL DISCOURSES
Maksym KRYVONIS
INTERACTIVE POST-EDITING OF CHINESE-UKRAINIAN LITERARY AND PHILOSOPHICAL TEXTS: THE AIPE MODEL AND PROMPT-ELICITED ROLE TYPOLOGY
Vladyslav KUKUSHKIN, Daria DIACHENKO
LINGUISTIC MEANS AND DISCURSIVE STRATEGIES FOR DEVALUING THE HUMANITIES AS “FEMINIZED” FIELDS IN ENGLISH-LANGUAGE PUBLIC DISCOURSE
Daryna MUDRYK
LINGUISTIC CONSTRUCTION OF UNCERTAINTY IN CONTEMPORARY ENGLISH DIGITAL DISCOURSE: A MULTIDIMENSIONAL ANALYTICAL FRAMEWORK
Oleksii OLENYCH
THEORETICAL FOUNDATIONS FOR INVESTIGATING SOCIOPRAGMATIC FEATURES OF SPEECH BEHAVIOR IN JAPANESE, BRITISH, AND UKRAINIAN LINGUOCULTURES
Nadiia POZHYDAIEVA
IDENTIFICATION OF MODALITY IN THE TEXTS OF PERSUASIVE COMMUNICATION
Oleksandr RODIN, Oksana NOSACH, Iryna MYKYTENKO
TRANSFORMATION OF THE METHODOLOGICAL PARADIGM OF MODERN LANGUAGE DIDACTICS: FROM THE COMMUNICATIVE APPROACH TO A COGNITIVE-DIGITAL MODEL OF FOREIGN LANGUAGE TEACHING
Olena ROSOKHA, Vladyslava SOKOLOVA
SPECIFICITY OF TRANSLATION OF GERMAN CAUSATIVES WITH A SOMATONYMIC COMPONENT IN UKRAINIAN
Viktoriia TOVSTENKO
EMOTIONAL COPYWRITING: HOW TO CONVEY FEELINGS IN ADVERTISING TEXT
Karine KHACHATURIAN, Larysa KOKHAN
TRANSFORMATION OF THE LEXICON OF MODERN UKRAINIAN LITERARY LANGUAGE UNDER CONDITIONS OF SOCIO-POLITICAL CHANGE
Yuliia SHAMAIEVA
METAPHTONYMY AS A LINGUOCOGNITIVE TOOL OF TEACHING PHD STUDENTS ACADEMIC ENGLISH
Lyudmyla SHUMSKA
PROFESSIONAL MASTERY OF FUTURE BANDURA CONDUCTORS IN THE CONTEXT OF INTEGRATIVE METHODOLOGICAL PARADIGM
Mykola SHUMSKYI
THE PHENOMENON OF MANUAL CONSTRUCT IN ORCHESTRAL CONDUCTING: A PROJECTIVE ASPECT
Yaryna YAKYMOVYCH (VASYLTSIV)
VICENTE BLASCO IBAÑEZ FROM THE PERSPECTIVES OF TRANSLATION STUDIES (VOLODYMYR SAMIILENKO) AND LITERARY STUDIES (MYKHAILO RUDNYTS´KYI)