Issue № 98 Volume 2, 2026 р.

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Title page

Contents

HISTORY

Ivan SVYASTYN
THE COOPERATIVE MOVEMENT AS A TOOL OF CIVIC EDUCATION AND SOCIAL SELF-ORGANIZATION OF UKRAINIANS IN EASTERN GALICIA IN THE EARLY 20TH CENTURY

Alexander TOMCHUK
OUTSIDE THE STATUTE: VOLUNTEER CHAPLAINS AND THE NEW ETHICS OF WAR

Viktor SHOSTAK
SOCIOCULTURAL FEATURES OF MANAGEMENT AND CULTURAL POLICY IN GERMANY: CULTURAL HERITAGE AND SOCIOCULTURAL PROJECTS

Vladyslav YASHYN
CHURCH AND ADMINISTRATIVE ACTIVITIES OF ARCHBISHOP VASYL (BOGDASHEVSKY) DURING THE FIRST WORLD WAR

ART STUDIES

Nataliya LUPAK, Tetiana SOLONYNKA, Larisa MARKEVICH
EVOLUTION OF CONTEMPORARY DANCE IN THE XXTH–XXI ST CENTURIES: FROM MODERN TO POSTMODERN CHOREOGRAPHY

Ihor LUTSENKO, Anton KOVACH, Attila KOPRIVA
THE ROLE OF DRAWING, PAINTING, AND COMPOSITION IN CREATING THE ARTISTIC IMAGE

Iryna MALININA, Nataliya CHYEN, Alla MALININA
THE ROLE OF ARTIFICIAL INTELLIGENCE IN THE DEVELOPMENT OF ANIMATION DESIGN AND THE TRAINING OF MULTIMEDIA SPECIALISTS

Yana MAMCHENKO, Nataliia OSTAPENKO, Tetiana STRUMINSKA
FORMATION OF THE COLORISTIC STRUCTURE OF MILITARY PILOTS’ CLOTHING IN THE SYSTEM OF CONTEMPORARY DESIGN

Oksana MELNYK, Yaroslav MYTSIUK
DESIGN OF VISUAL IDENTITY OF TOURIST AND CULTURAL TOURISM OBJECTS OF UKRAINE IN THE CONTEXT OF REGIONAL IDENTITY REPRESENTATION

Ivan NYKOROVYCH
ISSUES OF CREATIVE COLLABORATION BETWEEN THE DANCE ACCOMPANIST AND THE CHOREOGRAPHER IN CHOREOGRAPHY CLASSES (CASE STUDY OF THE «POLUNYCHKA» NATIONAL CHILDREN AND YOUTH FOLK DANCE ENSEMBLE)

Vitaliy OSTASHCHENKO, Romana MOTYL
VISUAL CULTURE IN SCIENCE FICTION AS A SPACE FOR INTERPRETING RELIGIOUS SYMBOLISM

Roman PETRIV
TRANSFORMATION OF THE ARTISTIC REPRESENTATION OF CULTURAL HERITAGE OBJECTS IN THE CONDITIONS OF DIGITALIZATION

Volodymyr PYLYPIV, Tetiana BORYSOVA, Olena ALIKSIICHUK
THE IMPACT OF GLOBALIZATION ON INNOVATIVE TRANSFORMATIONS OF UKRAINIAN CULTURE

Oksana PIDDUBNA, Anatolii MAKSYMCHUK
MODERN PAINTING TECHNIQUES IN THE DIGITAL ENVIRONMENT: A SYMBIOSIS OF TRADITIONS AND TECHNOLOGIES

Oleksandr PLAKHOTNYUK, Dmytro TOPORKOV, Oleh KUZYK
UKRAINIAN DANCE IN THE SPACE OF CONTEMPORARY PERFORMATIVE ONTOLOGY: REFLECTION OF TRAUMATIC EXPERIENCE AND INTERDISCIPLINARY SYNERGY

Oleksandr PLOKHOTNIUK, Maryna YAKUBOVSKA
SPECIFICITIES OF THE DEVELOPMENT OF PERFORMANCE ON PERCUSSION INSTRUMENTS IN UKRAINE AT THE MODERN STAGE

Svitlana POROZHNA
CULTURAL AND ARTISTIC CONTENT ON UKRAINIAN TELEVISION: TRENDS, CHALLENGES AND DEVELOPMENT PROSPECTS

Pavlo SALYGA
USING THE ETHNOGRAPHIC MAPPING METHOD IN USER EXPERIENCE DESIGN

Lira SENEHA
THE ANCIENT EGYPTIAN COLLECTION OF THE VASYL KRYCHEVSKY POLTAVA LOCAL LORE MUSEUM: FORMATION, COMPOSITION AND CURRENT STATE

Orest SYDIR, Nataliia NAZARII
GENRES OF ACADEMIC MUSIC IN THE REPERTOIRE OF THE THEATRE OF THE SOCIETY «RUSKA BESIDA»

Anna SOTNIKOVA
SEMANTIC TRANSFORMATION OF THE INSTRUMENTAL TRIO GENRE IN THE WORK OF FRENCH COMPOSERS

Valerii STRILETS
TRENDS IN THE DEVELOPMENT OF ARTISTIC FORM-MAKING IN FURNITURE OF THE CLASSICISM AND EMPIRE PERIODS (MID-18TH – FIRST HALF OF THE 19TH CENTURY)

Yuliia TARANENKO, Natalia KRYVUN
THE SYNTHESIS OF CHOREOGRAPHY AND DIGITAL TECHNOLOGIES: A CHOREOGRAPHIC STRATEGY FOR INTEGRATING VIDEO PROJECTIONS INTO THE STAGE SPACE

Maksym TEREKHOV, Vasyl KARPIV
RESTORATION AND EMERGENCY STABILIZATION MEASURES ON THE FAÇADE OF THE “GRAND HOTEL” BUILDING IN THE CITY OF LVIV

Ruslana TKACHENKO, Mariia ANTONOVYCH-NOVIKOVA
THE TRANSFORMATION OF FEMALE REPRESENTATIONS IN THE DIGITAL SPACE OF CONTEMPORARY CULTURE

Sofiia FILIPPOVA
CARNIVAL AND SACRED IN THE CULTURAL DIMENSION OF EUROPEAN OPERA OF THE 18TH–19TH CENTURIES

Ihor BURCHAK, Anatolii SUBIN, Viktoriia KHRENOVA
USE OF 3D PRINTING TECHNOLOGIES IN INNOVATIVE PRODUCT DESIGN AT ENTERPRISES OF UKRAINE

Valeriia SHAL
SPECIFICITY OF RELIGIONAL IMAGES IN MOTHETS OF THE XX CENTURY: «TOTENTANZ» BY HUGO DISTLER

Vasyl SHPAK, Olha SHPAK
IMAGERY AND SYMBOLISM OF THE UKRAINIAN EX LIBRIS

Oksana SHPETNА
TETRACHORDS AS A STRUCTURAL PRINCIPLE IN ANTONIO VIVALDI'S VIOLIN CONCERTOS

Boya YUAN, Nataliia SKLIARENKO
MODEL OF TRANSFORMING TRADITIONAL CULTURAL SYMBOLS INTO DYNAMIC VISUAL IMAGES IN THE DESIGN OF MUSEUM MOBILE APPLICATION INTERFACES

Yue JIAMING
THE SONG GENRE IN CHINESE CINEMA AS AN ARTISTIC AND COMMUNICATIVE PHENOMENON: A FUNCTIONAL AND STYLISTIC ANALYSIS

Andrii YATSELENKO, Ruslan KUNDYS
CURRENT TRENDS IN THE TRAINING OF SPECIALISTS IN CHOREOGRAPHY IN A CLASSICAL UNIVERSITY

LINGUISTICS. LITERATURE STUDIES

Nadiya PAVLIUK
FUNCTIONAL MULTIDIMENSIONALITY OF INTERTEXTUALITY IN THE PROSE OF IREN ROZDOBUDKO

Andrii PECHARSKYI
THE PHILOSOPHY OF LIFE AND DEATH IN THE DRAMATIC WORKS «DZIADY» BY ADAM MICKIEWICZ AND «THE FOREST SONG» BY LESYA UKRAINKA

Diana PIDBURTNA-KOSTIV
THEORETICAL APPROACHES TO THE STUDY OF MIGRATION LITERATURE

Svitlana PILISHEK, Olha RUDOMAN
SEMANTIC-COMMUNICATIVE AMPLIFICATIONS OF THE FORMATION OF LEXICAL COMPETENCE OF MAYBETH PROFESSIONALS IN THE PROCESS OF INTERNATIONAL PROFESSIONAL LANGUAGE STRAIGHTING

Liliana PROKOPENKO, Oksana KОSINOVA
GRAPHIC ORGANIZATION OF CONTEMPORARY POPULAR SCIENCE LINGUISTIC TEXTS

Inna REDKA
EMOTIVENESS OF ENGLISH BLACKOUT POEMS

Svitlana SOPILNIAK, Hanna CHITAK
PERSIAN AND TURKISH ETIQUETTE SPEECH STEREOTYPES OF GREETINGS: A COMPARATIVE ASPECT

Oksana STETSENKO
LINGUISTIC MEANS OF MANIPULATIVE REPRESENTIION OF AGENTS IN ECOLOGICAL DISCOURSE

Mykola TYSHCHENKO, Olena KOVALIOVA
THE PEDAGOGICAL FRAMEWORK OF USING HACKATHONS IN ENGLISH FOR IT (ESP) INSTRUCTION

Kateryna USACHOVA, Ihor ROMANOV
THE CONCEPT OF SELF-PLAGIARISM: LEGAL, TERMINOLOGICAL, AND TEXTUAL ASPECTS

Iryna FESENKO
BIOGRAPHICAL DISCOURSE AS A KEY TO UNDERSTANDING THE CREATIVE WORK OF OLEKSII CHUHUI

Olga KHARLAN, Hanna ALEKSANDROVA, Hanna TABAKOVA
THE IMAGE OF LONDON IN ROBERT GALBRAITH'S NOVEL "THE CUCKOO’S CALLING"

Galyna TSAPRO
WORK, BURNOUT, AND EMOTIONAL BALANCE IN WOMEN-CENTRED FICTION

Oksana CHAHAN
WAYS OF WORD FORMATION OF NOMINATIVE SYSTEM OF TRADITIONAL RURAL CONSTRUCTION IN BOYKO DIALECTS

Oksana CHORNOUS
LINGUOCULTURAL RISKS IN PROFESSIONAL COMMUNICATION

Yevhen SHYSHYHIN, Ivan BRATUS, Yuriy SIVYRIN
FORMATION OF NATIONAL STYLES OF THE MODERN ERA IN THE WORK OF STANISLAV VITKEVICH AND AMVROSIY ZHDAKHA