Issue № 99 Volume 1, 2026 р.
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HISTORY
Lidiia BILICHENKO
GERMAN CONSULATES IN THE UKRAINIAN SSR IN THE INTER-WAR PERIOD (1923-1938)
Yehor BRAILIAN
GLOBAL HISTORY AS A METHODOLOGY OF MEDIEVAL STUDIES
Pavlo VASYLIV, Andriy ZNAK
PUBLIC AND POLITICAL ACTIVITIES OF FATHER KLYMENTIY (KAZIMIERZ) SHEPTYTSKY IN 1892–1911
Bohdan DEMSKYI
GENOESE IN LVIV IN THE XV CENTURY: TRANSIT TRADE AND STRATEGIES OF INTEGRATION
Volodymyr DZOBAK
ON THE METHODOLOGY OF EVERYDAY HISTORY: CONCEPTS, APPROACHES, ANALYTICAL FRAMEWORKS
ART STUDIES
Daria ALMETKINA
THE AESTHETIC AND SEMIOTIC ANALYSIS OF MINHWA AND MUNJADO IN THE WORKS OF KOREAN ARTISTS
Tetiana BALUTA, Yuliia YUSHKEVYCH
TRANSFORMATION OF INFORMATION CULTURE IN THE CONTEXT OF CREATIVE INDUSTRIES DEVELOPMENT: THE STRATEGIC DIMENSION OF CULTURAL POLICY
Yelyzaveta BILA
TYPEFACE CULTURE IN URBAN SPACE (BASED ON THE SIGNAGE OF KYIV IN THE 20TH CENTURY)
Bohdan BONDARENKO, Kostiantyn BONDARENKO
THE COMMUNICATIVE POTENTIAL OF DECONSTRUCTIVIST FORM (A CASE STUDY OF MUSEUM BUILDINGS BY DANIEL LIBESKIND)
Anatoly BROVCHENKO, Alla RUDENCHENKO, Andrii MESHKO
FEATURES OF ARTISTIC WOODWORKING FOR THE CONTEMPORARY DESIGN SPACE
Stepan BURANYCH
THE EVOLVING REPERTOIRE OF TRADITIONAL INSTRUMENTAL ENSEMBLES OF WESTERN PODILLIA
Yunpeng WAN
THE DISCOURSE OF THE EXOTIC IN BAROQUE MUSICAL THEATRE: THE CASE OF JEAN-PHILIPPE RAMEAU AND HENRY PURCELL
Marta VASYLEVYCH
THE VIOLIN LEGACY OF IVAN LEVYTSKYI IN THE PROFESSIONAL EDUCATION OF FUTURE VIOLINISTS: PEDAGOGICAL AND PERFORMANCE ASPECTS
Yaroslava VERNIUK
INNOVATIVE APPROACHES TO INTERPRETING TRADITIONAL CRAFTS IN CONTEMPORARY DESIGN
Oleksandr VILA-BOTSMAN
CONDUCTING GESTURE AS AN INTERSEMIOTIC TRANSLATION OF THE CHOIRMASTER’S INDIVIDUALITY: METHODOLOGICAL PRINCIPLES OF ART STUDIES ANALYSIS
Bohdan VODYANYI, Tetyana ZADOROZNA, Anatolii BANKOVSKYI
TECHNOLOGICAL TRANSFORMATIONS IN CONTEMPORARY MUSICAL ART BETWEEN CHALLENGES AND PROSPECTS
Oleksiy VOLVAK
THE MODERNIST PIANO QUINTET IN THE CONTEXT OF THE GENRE’S SYMPHONIZATION
Anatolii VORONA
THE ROLE OF THE ACCOMPANIST IN THE UNIVERSITY CHOREOGRAPHY EDUCATION SYSTEM
Khrystyna HALELA
CONCERT ACTIVITY OF THE ROCK BAND «OCEAN ELZY» IN 1990–2005
Bohdan HERASHCHENKO, Olha PUNHINA, Roman TKACHENKO
THE INTEGRATIVE ROLE OF VISUAL ART FOUNDATIONS AND COMPOSITION AS A CORE QUALITY CRITERION IN COMPUTER GRAPHICS EDUCATION
Hennadii HOLIAKA, Inna DOVZHYNETS
THE TEMBRIAL COMBINATION OF THE BAYAN AND PIANO IN THE CHAMBER MUSIC OF VLODYMYR ZUBYTSKI
Tetiana HORDIEIEVA, Tetiana HRYBAN
VOCAL CULTURE AS THE FOUNDATION OF ARTISTIC EXCELLENCE: THE CASE OF THE ACADEMIC CHORAL CAPELLA «OREYA»
Olga GORDIENKO
EXPERIENCE OF LANDSCAPE DESIGN OF THE REHABILITATION DIRECTION DURING ANTIQUITY AND THE MIDDLE AGES
Oksana GOROZHANKINA
THE PHENOMENON OF ARTISTIC INTERPRETATION IN VOCAL ART: THEORETICAL AND METHODOLOGICAL PRINCIPLES
Yuliia HRIBINIENKO
CONTEMPORARY STAGE INTERPRETATION OF CLASSICAL OPERA (BASED ON PERFORMANCE VERSIONS OF GLUCK’S OPERA «ORFEO ED EURIDICE»)
Tetiana HUSARCHUK, Olha VOLOSATYKH
THE CREATIVE FIGURE OF MYKHAILO KRECHKO THROUGH THE LENS OF HIS VERBAL LEGACY (BASED ON MATERIALS FROM THE JOURNAL “MUSIC” AND THE YEARBOOK “UKRAINIAN MUSICOLOGY”)
Lilia DAVYDENKO
GENRE, STYLE, AND SEMANTIC ASPECTS OF THE CHARACTER OF DELILAH IN CAMILLE SAINT-SAËNS’ OPERA «SAMSON AND DELILAH» IN THE CONTEXT OF ORIENTALISM
Viacheslav DASHKOVSKYI
PEDAGOGICAL PORTRAIT OF SERAFIMA MOGILEVSKAYA (TO THE 110TH ANNIVERSARY OF HER BIRTH)
Liliia DERMAN, Andriy DYOGTYEV
ADVANCED MATERIALS AS A FACTOR IN THE DEVELOPMENT OF CONTEMPORARY DESIGN AND PROJECT CULTURE IN THE SEWING INDUSTRY
Lyudmila DOVGAN
GUIDELINES FOR WORKING WITH A HIGH FEMALE VOICE
Zakhar DUBOVIY
PERFORMING SKILLS OF HIGHER MUSIC EDUCATION STUDENTS AS THE ART OF INTERPRETATION
Igor DUDNYK, Daryna PETRASH
FEATURES OF THE FORMATION OF EDUCATIONAL COMPONENTS OF THE DESIGN SPECIALTY
Iryna DUNDIAK, Iryna DMYTRIV
APPROACHES TO THE INTERPRETATION OF UKRAINIAN FOLK ICONS IN CONTEMPORARY ICON PAINTING
Anton DIAKONOV, Oleksandr FIL, Yevhenii KOPYLOV
DESIGN LANGUAGES AS A MEANS OF CONVEYING CULTURAL, AESTHETIC AND FUNCTIONAL MEANINGS IN DESIGN PRACTICE
Andrii ZHARKOV
STAGE SPACE OF THE PARIS THEATRE OPÉRA-COMIQUE AT THE END OF THE 19TH-20TH CENTURIES: SYMBOLIC MEANING DETERMINANTS
Lyudmila ZYMA
COMMUNICATIVE ASPECTS OF CHAMBER-ENSEMBLE STYLISTICS OF PIANO QUINTETS OF CONTEMPORARY COMPOSERS
Anatolii IVANYTSKYI
WAYS OF INTRODUCING ACADEMIC INSTRUMENTATION INTO TRADITIONAL FOLK MUSIC
Nataliya IGNATYEVA
THE ARTISTIC LANGUAGE OF YEVHEN SVITLYCHNY’S PAINTING: INNOVATION AND EXPRESSION
Oleksandra KACHMAR, Iryna ZINKIV, Stanislav KOTOROBAI
INSTITUTIONAL GOVERNANCE OF CULTURAL PROCESSES UNDER MARTIAL LAW AND POST-CONFLICT RECOVERY
Ivan KYRYCHENKO
DEVELOPING STUDENTS’ CREATIVE SKILLS IN THE DISCIPLINE OF «ETCHING»
Mariya KLYMENKO
BETWEEN UKRAINIAN IDENTITY AND EUROPEAN MODERNISM: THE THEATRICAL AVANT-GARDE OF HÉLÈNE D’OETTINGEN
Iryna KOZENIASHEVA, Evhen KOZENIASHEV
KHARKIV PERIOD OF POLISH COMPOSER KONSTYANTYN GORSKI
Olena KOLOSNICHENKO, Tetiana STRUMINSKA, Maryna KOLOSNICHENKO
AESTHETIC REPAIRABILITY OF COSTUME AS A LOCAL CRITERION FOR EXTENDING THE GARMENT LIFE CYCLE
Oleksandr KOLPAKOV, Iryna KRASYLNYKOVA, Viktoriia KHRENOVA
REINTERPRETATION OF TRADITIONAL CRAFTS IN THE CONTEXT OF CONTEMPORARY ART DESIGN
Oleh KOPELIUK, Mykola DUDKO, Nataliia RIABUKHA
GENRE AND STYLE FEATURES OF THE PIANO CONCERTO IN THE CONTEXT OF PERFORMANCE PRACTICE
Sergii KOSTOGRYZ, Oleksandr LYTVYSHCHENKO, Tetyana YEFIMOVA
PEDAGOGICAL PRINCIPLES AND FUNCTIONS OF EDUCATIONAL REPERTOIRE IN FOLK INSTRUMENT CLASSES UNDER CONDITIONS OF BLENDED LEARNING
Eduard KRASNIY, Hanna MOROZOVA, Olga HAVRYK
THE TRANSFORMATION OF VISUAL THINKING AMONG ARCHITECTS AND DESIGNERS IN THE AGE OF DIGITALIZATION: FROM ACADEMIC DRAWING TO DIGITAL TOOLS
LINGUISTICS. LITERATURE STUDIES
Stepan ANTONIUK
THE TRANSFORMATION OF GENDER VISIONS IN UKRAINIAN DRAMA IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR
Oksana BIELYKH, Iryna CHARIKOVA
CULTURAL MARKED ELEMENTS OF NONVERBAL COMMUNICATION IN INTERPRETING
Olena BYELOZYOROVA
IMPLEMENTATION OF THE STIGMATIZATION STRATEGY IN MODERN GERMAN DISCOURSE AS A CONSEQUENCE OF THE PERSISTENCE OF THE VERBAL TABOO KREBS
Kateryna BONDARENKO, Viktoriia BURLAKA, Anastasiia KOROL
COMPRESSION IN AUDIOVISUAL LOCALIZATION: A CORPUS-BASED STUDY OF THE UKRAINIAN AND SPANISH SUBTITLES OF BODKIN
Natália VÁRADI
DEVELOPING ACADEMIC AND PROFESSIONAL ENGLISH SKILLS FOR INTERNATIONAL STUDENTS: A STRUCTURE FOCUSED ON ENGLISH FOR SPECIAL PURPOSES
Khrystyna VYHURA-SHATAN
METHODOLOGY AND PRACTICE OF SPEECH-LANGUAGE AND AUDITORY REHABILITATION FOR CHILDREN WITH IMPLANTABLE HEARING SYSTEMS
Nelli GAIDUK, Mykhailo TARAPATOV
DISCURSIVE ANALYSIS OF MANIPULATIVE STRATEGIES IN CONTEMPORARY MEDIA
Kostiantyn HOLOBORODKO
THIRTEEN BATHS AND FIVE HUNDRED CHURCHES: THE RHETORIC OF DEPLOYMENT IN THE TREATISE “THE METHOD OF SIEGE” BY YOSYP VERESCHYNSKY
Oleksandr HRYSHCHENKO, Tetiana YAROSHOVETS, Armen MAILIAN
LINGUISTIC MARKERS OF DISINFORMATION IN NEWS TEXTS
Larysa DOVHAN, Iryna ZAPADYNSKA
THE IMPACT OF DIGITALIZATION ON TRANSLATION ACTIVITIES IN MARKETING DOMAIN
Dmytro ZOZULIA
THE MOCKERY OF RUSSIAN IMPERIAL DISCOURSE AS A POST-COLONIAL STRATEGY IN O. SHYNKARENKO’S NOVEL SKULL
Oksana ZUBACH, Olena SHYIKA
TRANSLATION OF YOUTH SLANG IN CONTEMPORARY GERMAN LANGUAGE
Iryna KYRYCHENKO, Olena SYTENKA
LINGUOCULTURAL POTENTIAL OF MYTHOLOGICAL INTERTEXTUALITY IN THE DECONSTRUCTION OF GENDER STEREOTYPES IN POSTMODERNIST TEXT
Yuliia KONONETS
DEFORMATION OF REALITY IN PROPAGANDA NARRATIVES: A SEMIOTIC ASPECT
Stepan KROKHMAL, Nataliia LYSETSKA
THE PHENOMENON OF AUTOMOBILITY AS A SEMIOTIC CODE AND STYLISTIC SYMBOL IN CONTEMPORARY GERMAN-LANGUAGE DISCOURSE