Issue № 99 Volume 2, 2026 р.
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HISTORY
Oleh ZOLOTUKHIN, Vita ROMANOVA
EVERYDAY LIFE IN THE ZHOVKVA DISTRICT IN AN OUN DOCUMENT (1947)
Orestа KARPENKO, Mykola HALIV
THE RUSSIAN-UKRAINIAN WAR (2014–2026) IN DIGITAL NARRATIVES OF UKRAINE: TYPOLOGY AND EDUCATIONAL DIMENSION
Anastasiia LAPCHENKO
UKRAINIAN EMBROIDERY AS A SEMIOTIC SYSTEM: FROM THE TRANSFORMATIONS OF THE 1920S TO DIGITAL REPRESENTATION IN GLOBAL CULTURE
Bohdan PASKA
KGB’S AGENT-OPERATIONAL WORK AGAINST UKRAINIAN UNDERGROUND GROUPS AND ORGANIZATIONS IN THE LATE 1950S AND EARLY 1960S
Yevhenii SNIDA
THE RELIGIOUS AND CHURCH FACTOR IN THE FORMATION OF ANTI-TOTALITARIAN DISCOURSE IN EASTERN EUROPEAN COUNTRIES (LATE 1940S–1980S)
Yurii CHAHAN, Vitalii SOVIK, Oleksandr LENIVYI
THE EVOLUTION OF THE DEPLOYMENT FORMS AND THE EFFECTIVENESS CRITERIA OF GROUND FORCES: HISTORICAL EXPERIENCE AND LESSONS FROM THE RUSSIAN-UKRAINIAN WAR
ART STUDIES
Mariia KUKIL
ART NOUVEAU STYLE IN THE ARTISTIC DECORATION OF THE UKRAINIAN ANTHOLOGY “AKORDY” (1903)
Ruslan KUNDYS, Ivan NYKOROVYCH
INTEGRATED APPROACH TO TEACHING THE DISCIPLINE «FUNDS OF MUSIC THEORY» FOR STUDENTS OF THE SPECIALTY «CHOREGRAPHY»: FROM CLASSICAL THEORY TO DIGITAL SOUND DESIGN
Yevhenii KUPRIIENKO
THE SOUND IMAGE OF FILM: ARTISTIC FUNCTIONS AND MEANS OF REPRODUCTION
Olha LAVRENYUK
THE IMPACT OF DESIGN ON THE CONTEMPORARY SOCIOCULTURAL ENVIRONMENT
Nataliya LEVKOVYCH, Marta KRAVCHENKO, Karina DAVYDOVA
ANTIQUE PORCELAIN IN THE AUCTION SALES SYSTEM: EXPERTISE, PROVENANCE, AND PRICE FORMATION
Alla LYTVYNENKO
THE VISUAL AND AUDITORY IMAGE OF THE CITY (POLTAVA IN DMYTRO IVANENKO’S MEMOIRS)
Alla LISOVA, Viktoria SHUBINA, Maryna ILECHKO
PERFORMANCE ANXIETY IN MUSIC: PSYCHOLOGICAL MECHANISMS OF REGULATION
Huatao LIU
THE ROLE OF CHORAL SCENES IN THE MUSICAL DRAMATURGY OF PUCCINI’S OPERA «IL TABARRO»
Viktoriya MAZUR
OLENA NOSENKO: A MODERN UKRAINIAN ARTIST AND THE PROJECT FOR THE DECORATION OF ST. MICHAEL’S CATHEDRAL IN ZHYTOMYR
Serhii MYRONENKO
ANIMATION AS AN IDEA OF EMBODYING A VISUAL CONCEPT IN THE ORATORIO‑ACTION «STAIRS BY S. MYRONENKO»
Uliana MOLCHKO
SOCIAL-CULTURAL DIMENSIONS OF CONTEMPORARY MUSICAL ART IN THE SCIENTIFIC ASSESSMENT OF BOHDAN SYUTA
Oksana MOSENDZ, Karolina KASIANENKO, Olga MYKHAILIUK
TRANSFORMATION OF THE CREATIVE PROCESS OF FASHION DESIGNERS IN THE CONTEXT OF COLLABORATION WITH GENERATIVE CLOTHING MODELING ALGORITHMS
Viktoriia MULKOKHAINЕN, Dmytro DUKHOBOROV
DIGITAL GOVERNMENT SERVICE AS A VISUAL SYSTEM
Svetlana NIKULENKO, Tetyana AGEYENKO
PROBLEMS AND PROSPECTS OF PROFESSIONAL DEVELOPMENT AND CREATIVE SELF-DEVELOPMENT OF CULTURAL SCIENTISTS – GRADUATES OF THE KHARKIV HUMANITARIAN AND PEDAGOGICAL ACADEMY
Svitlana NOVOSADOVA, Ihor SHCHERBAK
THE ROLE OF SOLFEGGIO AND HARMONY IN THE DEVELOPMENT OF PROFESSIONAL COMPETENCE OF A MUSICOLOGIST
Olena OSOKA, Oleksandra ZAITSEVA, Tamara KHODAKOVA
J. BRAMSS «WALTZES AND SONGS OF LOVE» OP. 52: FROM ARTISTIC CONCEPT TO AUDIO REALIZATION
Andrii OTKYDACH
AUTHORSHIP IN GENERATIVE DESIGN: A THREE-LEVEL MODEL AND DESIGNER’S RESPONSIBILITY
Sofia PIDHURSKA, Andrii BUDNYK
INCLUSIVE TYPOGRAPHY: AN OVERVIEW OF APPROACHES TO IMPROVING READABILITY FOR PEOPLE WITH DYSLEXIA
Maryna PONOMARENKO
THE REPRESENTATION OF THE CHESSBOARD FLOOR IN SACRAL PAINTING: SYMBOLISM AND PLASTIC SOLUTIONS
Serhii POPOVICHENKO, Hanna KOSHEL
MODEL MAKING IN THE TRAINING OF INDUSTRIAL DESIGN SPECIALISTS
Oleksii RALO
INSTRUCTIONAL EXERCISES AS A MEANS OF IMPROVING THE SKILLS OF PERCUSSION INSTRUMENT PERFORMERS
Vladislav ROZIN, Tetiana ANDRIІVSKA, Ludmyla FEDTSOVA
CAUSES OF OBSTACLES IN THE CREATION OF AN OPERA PERFORMANCE IN THE CONTEXT OF THE EDUCATIONAL PROCESS AND OPERATIC ART IN GENERAL
Polina RUD, Olena SAMOSVATOVA
F. SCHUBERT, IMPROMPTU GES-DUR, OP. 90 NO. 3: COMPARATIVE ANALYSIS OF PERFORMING VERSIONS
Maryna RUSIAIEVA
DIANA OF EPHESUS AS AN ALLEGORY OF NATURE IN THE ITALIAN ART OF THE CINQUECENTO
Iryna RIABCHUN
TRANSITION TO POSTMODERN IN THE WORK OF THE GREEK COMPOSER NIKOLAOS SKALKOTTAS
Elena SERHIIENKO, Fedir IVANYTSKYY
HUMAN-CENTERED LIGHTING DESIGN AS A KEY TOOL FOR ORGANIZING THE FUNCTIONAL SPACE OF THE FOREDECK ON YACHTS OF VARIOUS SIZES
Liudmyla SKIRKO, Olena SIKALOVA, Olena PRUDNIKOVA
MUSICAL AND POETIC SYNTHESIS IN VOCAL CYCLES BY MYKOLA DREMLIUGA BASED ON THE POETRY OF UKRAINIAN POETS: THE ACCOMPANIST’S TASKS IN THE MUSICAL INTERPRETATION OF THE POETIC TEXT
Valerii STRILETS
HISTORIOGRAPHY OF SCIENTIFIC RESEARCH PROBLEMS IN FURNITURE DESIGN IN THE PAN-EUROPEAN CONTEXT AND IN UKRAINE AT THE CURRENT STAGE OF DEVELOPMENT
Mariana STUDNYTSKA
SEMIOTIC-PSYCHOLOGICAL DIMENSION OF GALLERY EXPOSITION ON THE EXAMPLE OF THE EXHIBITION «LOOKING INTO THE GAPS IV» (AT JAM FACTORY ART CENTER, 2026)
Oleksii TARAN
CONTEMPORARY REPERTOIRE AS A TOOL FOR MOTIVATION AND PSYCHO-EMOTIONAL STABILISATION OF GUITAR STUDENTS IN WARTIME
Roman TETERIN
HERITAGE OF THE ODESSA VOCAL JAZZ TRADITION: TETYANA BOYEVA – ANASTASIA BUKINA
Petro TYSHCHUK
CONTEMPORARY THEORIES OF ADVERTISING DESIGN IN THE CONTEXT OF OUT-OF-HOME (OOH/DOOH) ADVERTISING
Ruslana TKACHENKO, Alina ANDRIIEVA
MUSEUMS AND FASHION TRENDS IN UKRAINE
Veronika TORMAKHOVA
MUSIC FOR THE PLAY “PETER PAN” BY LEONARD BERNSTEIN AS AN EXAMPLE OF HIS MUSICAL-THEATRICAL STYLE
Andri FEDORYSHYN, Roman KUPRANETS
REVIVAI OF ROMAN CEMENT NECHNOLOGY IN EUROPEAN RESTORATION PRACTICE
Svitlana FESENKO, Svitlana DOVLETOVA, Nataliia SHAPOVALOVA
‘TOTAL THEATRE’ AND ITS INFLUENCE ON THE DEVELOPMENT OF THEATRE OF ANIMATION.
Oleksandr KHRAPACHOV
PAINTING – A PROFESSIONAL COMPONENT OF SCENOGRAPHY AT NAFAA
Dongze HUO, Nataliia SKLIARENKO
DIGITAL TRANSFORMATION OF CHINESE TRADITIONAL TEXTILES: THE PRACTICE OF CREATING GENERATIVE DESIGN SYSTEMS
Yue JIAMING
SYNTHESIS OF NATIONAL AND EUROPEAN TRADITIONS IN CHINESE VOCAL FILM MUSIC OF THE 20TH CENTURY
Ruhe ZHANG, Ruslana BEZUHLA
STRUCTURED PATHWAY FOR KEY VISUAL DESIGN: INTEGRATING CLA AND EXTENICS
Oksana CHUIEVA
A CONTINUOUS LINE IN A SERIES OF POSTERS DEDICATED TO UKRAINIAN WRITING DAY
LINGUISTICS. LITERATURE STUDIES
Svitlana LUTSAK, Alla TARAN, Halyna YURCHAK
THE CORPUS OF MODEST LEVYTSKYI’S TEXTS AS A RESEARCH AND EDUCATIONAL RESOURCE
Mariia MYKHAILENKO
SPECIFICITY OF POLITICAL DISCOURSE IN THE CONTEXT OF STRATEGIES, TACTICS AND IMPLEMENTATION OF HATE SPEECH
Valentyna NIKOLAIENKO
MORAL IMPERATIVES AND STRATEGIES FOR SURVIVAL IN CONTEMPORARY UKRAINIAN LITERATURE ABOUT THE HOLODOMOR
Vasyl POSHTAR
THE INFLUENCE OF SOCIAL MEDIA ON THE FORMATION OF VIRAL CHALLENGES: INTERACTION STRATEGIES
Iryna ROZHDESTVENSKA
GOGOL THROUGH THE LANGUAGE OF LAW: THE POLISH-UKRAINIAN CONTEXT
Olga RUD
SENSORY LEXICAN IN THE NOVEL “SOLO FOR SOLOMIA” BY VLADIMIR LYS
Tetiana STAROSTENKO, Alyona SHEVCHENKO
MENTAL PROGRAMMING IN ENGLISH LANGUAGE TEACHING: ENCODING SOCIETY THROUGH LINGUISTIC PATTERNS
Olha TALOKHA, Liliia HRABAR
TRANSLATION OF IDIOMATIC EXPRESSIONS FROM THE ENGLISH LANGUAGE INTO UKRAINIAN
Mariia TELEKY
MEDICAL METAPHOR THROUGH THE PRISM OF TERMINOLOGICAL INFORMATION
Mykola TYSHCHENKO
TRANSFORMATION OF ACADEMIC INTEGRITY PRINCIPLES IN THE ERA OF GENERATIVE ARTIFICIAL INTELLIGENCE
Olena KHARYTONOVA
THEORETICAL AND SEMIOTIC ASPECTS OF ANALYTISM IN THE GRAMMATICAL SYSTEM OF THE MODERN FRENCH LANGUAGE
Oleksii SHEBUNIAIEV
THEORETICAL FOUNDATIONS OF THE FORMATION AND TRANSLATION OF TURKISH BUSINESS DISCOURSE
Viktoriia SHEVCHENKO, Anastasiіa SHKURCHENKO
THE INFLUENCE OF POLITENESS ON MEDIEVAL CORRESPONDENCE STYLE: AN EXAMINATION OF THE DEVELOPMENT OF TEXTUAL STRUCTURE AND SYNTAX FROM DICTAMEN TO THE PRACTICE OF FREE WRITING
Alona SHYBA
COMMUNICATIVE PRACTICES OF UKRAINIANS IN LITHUANIA: DIGLOSSIA OR CONTINUUM?
Olha YALOVENKO
HIDDEN TRANSLATION IN ENGLISH: HISTORICAL DEVELOPMENT, MECHANISMS, AND COMPARATIVE PERSPECTIVES
ANNOUNCEMENT
Андрій ДУШНИЙ, Мирон ЧЕЛЯДА
XVII МІЖНАРОДНИЙ КОНКУРС БАЯНІСТІВ-АКОРДЕОНІСТІВ «PERPETUUM MOBILE» У ДРОГОБИЧІ: ОГЛЯД ТА ПЕРСПЕКТИВИ